Monday, July 26, 2010
Sunday, December 27, 2009
My Hero - Gwendolyn Brooks & why I will never love another...
To Be In Love by Gwendolyn Brooks
To be in love
Is to touch with a lighter hand.
In yourself you stretch, you are well.
You look at things
Through his eyes.
A cardinal is red.
A sky is blue.
Suddenly you know he knows too.
He is not there but
You know you are tasting together
The winter, or a light spring weather.
His hand to take your hand is overmuch.
Too much to bear.
You cannot look in his eyes
Because your pulse must not say
What must not be said.
When he
Shuts a door-
Is not there_
Your arms are water.
And you are free
With a ghastly freedom.
You are the beautiful half
Of a golden hurt.
You remember and covet his mouth
To touch, to whisper on.
Oh when to declare
Is certain Death!
Oh when to apprize
Is to mesmerize,
To see fall down, the Column of Gold,
Into the commonest ash. ......
To be in love
Is to touch with a lighter hand.
In yourself you stretch, you are well.
You look at things
Through his eyes.
A cardinal is red.
A sky is blue.
Suddenly you know he knows too.
He is not there but
You know you are tasting together
The winter, or a light spring weather.
His hand to take your hand is overmuch.
Too much to bear.
You cannot look in his eyes
Because your pulse must not say
What must not be said.
When he
Shuts a door-
Is not there_
Your arms are water.
And you are free
With a ghastly freedom.
You are the beautiful half
Of a golden hurt.
You remember and covet his mouth
To touch, to whisper on.
Oh when to declare
Is certain Death!
Oh when to apprize
Is to mesmerize,
To see fall down, the Column of Gold,
Into the commonest ash. ......
How To Paint a Water Lily - Ted Hughes is Absolutely Brilliant
How To Paint A Water Lily by Ted Hughes
To Paint a Water Lily
A green level of lily leaves
Roofs the pond's chamber and paves
The flies' furious arena: study
These, the two minds of this lady.
First observe the air's dragonfly
That eats meat, that bullets by
Or stands in space to take aim;
Others as dangerous comb the hum
Under the trees. There are battle-shouts
And death-cries everywhere hereabouts
But inaudible, so the eyes praise
To see the colours of these flies
Rainbow their arcs, spark, or settle
Cooling like beads of molten metal
Through the spectrum. Think what worse
is the pond-bed's matter of course;
Prehistoric bedragoned times
Crawl that darkness with Latin names,
Have evolved no improvements there,
Jaws for heads, the set stare,
Ignorant of age as of hour—
Now paint the long-necked lily-flower
Which, deep in both worlds, can be still
As a painting, trembling hardly at all
Though the dragonfly alight,
Whatever horror nudge her root.
A green level of lily leaves
Roofs the pond's chamber and paves
The flies' furious arena: study
These, the two minds of this lady.
First observe the air's dragonfly
That eats meat, that bullets by
Or stands in space to take aim;
Others as dangerous comb the hum
Under the trees. There are battle-shouts
And death-cries everywhere hereabouts
But inaudible, so the eyes praise
To see the colours of these flies
Rainbow their arcs, spark, or settle
Cooling like beads of molten metal
Through the spectrum. Think what worse
is the pond-bed's matter of course;
Prehistoric bedragoned times
Crawl that darkness with Latin names,
Have evolved no improvements there,
Jaws for heads, the set stare,
Ignorant of age as of hour—
Now paint the long-necked lily-flower
Which, deep in both worlds, can be still
As a painting, trembling hardly at all
Though the dragonfly alight,
Whatever horror nudge her root.
The Owl by Ted Hughes
I saw my world again through your eyes
As I would see it again through your children's eyes.
Through your eyes it was foreign.
Plain hedge hawthorns were peculiar aliens,
A mystery of peculiar lore and doings.
Anything wild, on legs, in your eyes
Emerged at a point of exclamation
As if it had appeared to dinner guests
In the middle of the table. Common mallards
Were artefacts of some unearthliness,
Their wooings were a hypnagogic film
Unreeled by the river. Impossible
To comprehend the comfort of their feet
In the freezing water. You were a camera
Recording reflections you could not fathom.
I made my world perform its utmost for you.
You took it all in with an incredulous joy
Like a mother handed her new baby
By the midwife. Your frenzy made me giddy.
It woke up my dumb, ecstatic boyhood
Of fifteen years before. My masterpiece
Came that black night on the Grantchester road.
I sucked the throaty thin woe of a rabbit
Out of my wetted knuckle, by a copse
Where a tawny owl was enquiring.
Suddenly it swooped up, splaying its pinions
Into my face, taking me for a post.
As I would see it again through your children's eyes.
Through your eyes it was foreign.
Plain hedge hawthorns were peculiar aliens,
A mystery of peculiar lore and doings.
Anything wild, on legs, in your eyes
Emerged at a point of exclamation
As if it had appeared to dinner guests
In the middle of the table. Common mallards
Were artefacts of some unearthliness,
Their wooings were a hypnagogic film
Unreeled by the river. Impossible
To comprehend the comfort of their feet
In the freezing water. You were a camera
Recording reflections you could not fathom.
I made my world perform its utmost for you.
You took it all in with an incredulous joy
Like a mother handed her new baby
By the midwife. Your frenzy made me giddy.
It woke up my dumb, ecstatic boyhood
Of fifteen years before. My masterpiece
Came that black night on the Grantchester road.
I sucked the throaty thin woe of a rabbit
Out of my wetted knuckle, by a copse
Where a tawny owl was enquiring.
Suddenly it swooped up, splaying its pinions
Into my face, taking me for a post.
The Minotaur by Ted Hughes
The Minotaur by Ted Hughes
The mahogany table-top you smashed
Had been the broad plank top
Of my mother's heirloom sideboard-
Mapped with the scars of my whole life.
That came under the hammer.
That high stool you swung that day
Demented by my being
Twenty minutes late for baby-minding.
'Marvellous!' I shouted, 'Go on,
Smash it into kindling.
That's the stuff you're keeping out of your poems!'
And later, considered and calmer,
'Get that shoulder under your stanzas
And we'll be away.' Deep in the cave of your ear
The goblin snapped his fingers.
So what had I given him?
The bloody end of the skein
That unravelled your marriage,
Left your children echoing
Like tunnels in a labyrinth.
Left your mother a dead-end,
Brought you to the horned, bellowing
Grave of your risen father
And your own corpse in it.
Had been the broad plank top
Of my mother's heirloom sideboard-
Mapped with the scars of my whole life.
That came under the hammer.
That high stool you swung that day
Demented by my being
Twenty minutes late for baby-minding.
'Marvellous!' I shouted, 'Go on,
Smash it into kindling.
That's the stuff you're keeping out of your poems!'
And later, considered and calmer,
'Get that shoulder under your stanzas
And we'll be away.' Deep in the cave of your ear
The goblin snapped his fingers.
So what had I given him?
The bloody end of the skein
That unravelled your marriage,
Left your children echoing
Like tunnels in a labyrinth.
Left your mother a dead-end,
Brought you to the horned, bellowing
Grave of your risen father
And your own corpse in it.
Lovesong by Ted Hughes
He loved her and she loved him
His kisses sucked out her whole past and future or tried to
He had no other appetite
She bit him she gnawed him she sucked
She wanted him complete inside her
Safe and Sure forever and ever
Their little cries fluttered into the curtains
Her eyes wanted nothing to get away
Her looks nailed down his hands his wrists his elbows
He gripped her hard so that life
Should not drag her from that moment
He wanted all future to cease
He wanted to topple with his arms round her
Or everlasting or whatever there was
Her embrace was an immense press
To print him into her bones
His smiles were the garrets of a fairy place
Where the real world would never come
Her smiles were spider bites
So he would lie still till she felt hungry
His word were occupying armies
Her laughs were an assasin's attempts
His looks were bullets daggers of revenge
Her glances were ghosts in the corner with horrible secrets
His whispers were whips and jackboots
Her kisses were lawyers steadily writing
His caresses were the last hooks of a castaway
Her love-tricks were the grinding of locks
And their deep cries crawled over the floors
Like an animal dragging a great trap
His promises were the surgeon's gag
Her promises took the top off his skull
She would get a brooch made of it
His vows pulled out all her sinews
He showed her how to make a love-knot
At the back of her secret drawer
Their screams stuck in the wall
Their heads fell apart into sleep like the two halves
Of a lopped melon, but love is hard to stop
In their entwined sleep they exchanged arms and legs
In their dreams their brains took each other hostage
In the morning they wore each other's face
His kisses sucked out her whole past and future or tried to
He had no other appetite
She bit him she gnawed him she sucked
She wanted him complete inside her
Safe and Sure forever and ever
Their little cries fluttered into the curtains
Her eyes wanted nothing to get away
Her looks nailed down his hands his wrists his elbows
He gripped her hard so that life
Should not drag her from that moment
He wanted all future to cease
He wanted to topple with his arms round her
Or everlasting or whatever there was
Her embrace was an immense press
To print him into her bones
His smiles were the garrets of a fairy place
Where the real world would never come
Her smiles were spider bites
So he would lie still till she felt hungry
His word were occupying armies
Her laughs were an assasin's attempts
His looks were bullets daggers of revenge
Her glances were ghosts in the corner with horrible secrets
His whispers were whips and jackboots
Her kisses were lawyers steadily writing
His caresses were the last hooks of a castaway
Her love-tricks were the grinding of locks
And their deep cries crawled over the floors
Like an animal dragging a great trap
His promises were the surgeon's gag
Her promises took the top off his skull
She would get a brooch made of it
His vows pulled out all her sinews
He showed her how to make a love-knot
At the back of her secret drawer
Their screams stuck in the wall
Their heads fell apart into sleep like the two halves
Of a lopped melon, but love is hard to stop
In their entwined sleep they exchanged arms and legs
In their dreams their brains took each other hostage
In the morning they wore each other's face
A Poem by the late Ted Hughes
The Thought-Fox by Ted Hughes
I imagine this midnight moment's forest:
Something else is alive
Beside the clock's loneliness
And this blank page where my fingers move.
Through the window I see no star:
Something more near
Though deeper within darkness
Is entering the loneliness:
Cold, delicately as the dark snow,
A fox's nose touches twig, leaf;
Two eyes serve a movement, that now
And again now, and now, and now
Sets neat prints into the snow
Between trees, and warily a lame
Shadow lags by stump and in hollow
Of a body that is bold to come
Across clearings, an eye,
A widening deepening greenness,
Brilliantly, concentratedly,
Coming about its own business
Till, with sudden sharp hot stink of fox
It enters the dark hole of the head.
The window is starless still; the clock ticks,
The page is printed.
Something else is alive
Beside the clock's loneliness
And this blank page where my fingers move.
Through the window I see no star:
Something more near
Though deeper within darkness
Is entering the loneliness:
Cold, delicately as the dark snow,
A fox's nose touches twig, leaf;
Two eyes serve a movement, that now
And again now, and now, and now
Sets neat prints into the snow
Between trees, and warily a lame
Shadow lags by stump and in hollow
Of a body that is bold to come
Across clearings, an eye,
A widening deepening greenness,
Brilliantly, concentratedly,
Coming about its own business
Till, with sudden sharp hot stink of fox
It enters the dark hole of the head.
The window is starless still; the clock ticks,
The page is printed.
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